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Showing posts with label futurism. Show all posts
Showing posts with label futurism. Show all posts

Another Kind of Immortality

There's ample evidence and research indicating that it's just a matter of time before virtual entertainment becomes virtual living. How far out are we from being able to step into a world that is so perfectly generated, it becomes real to us and as it does, more and more compelling?

We're already bored with the early mind-blowing attempts that brought this unfolding tech to the forefront. Occulus Rift seems a lightyear ago, with Augmented Reality such a compelling second step. But the case for Fully Virtual is incredibly alluring.

To be able to step into a world designed for your personal use, edification, advancement and pleasure isn't just attractive, it's being madly developed in tech centers from San Francisco to Tel Aviv. And as it moves towards a functional reality, another parallel track will follow. Perhaps sometime later, but with utter certainty. Virtual Life. And with it, virtual immortality.

In Richard Morgan's barn-storming scifi detective novel "Altered Carbon" a central conceit features the ability of its characters -- living somewhere around 500 years in the future -- to store their living brain functions in a tiny implantable capsule that can preserve the essence of someone too sick to live or who has actually died.

Think about it: the sum total of your life experience in a tiny chip that is stored in a super facility, then implanted into another body for you to then be revived and alived all over again. Morgan refers to this process as slipping in to a new sleeve. And if you're determined and wealthy enough, you can pick and choose the kind of body you want -- including changing sex -- and do it repeatedly, netting you lifetimes of hundreds of years, as you wake up inside another casing and figure out what you look like and how it feels to be someone entirely new.

Nuts? Nu-uh. It's logical, possible, predictable and simply a matter of time. Gives the term "be seein' ya" a whole new connotation, eh?

“Our Tomorrow” vs Software Tech

The end of my live retro scifi futurism show features an original tune called "Our Tomorrow" which is about connecting with intelligent life on other planets. Simple concept, dramatic tune, it starts quietly emotional, lyrics describing the frustration of not yet making contact, then builds to a big gospel-tinged finish about reaching for the stars, while videos display dramatic galactic zooms alternating with real people reaching towards the sky.

As with most all the tunes I write and record, everything gets properly sussed out in my home studio over a period of weeks. I have the unnerving habit of gradually building up different revs of each tune in a quest to get it to a place that's both personal and satisfying. And unnerving, because that takes WAY longer than it should, averaging 1-200 hours of studio time. Crazy, and for me, impossible not to do -- it's my l'il process!

Two key elements on this one: tempo and back-up singers.

By the time it got good, the tune seemed a little sluggish, beat-wise. It's easy to just hit some keystrokes and speed it up, but you lose little bits and pieces of fidelity when you do that, unless you isolate each track and process it separately with high-end tempo software. Which turns out to be a lot trickier than it looks. 'Took three days to get it right. That was to move the needle from 116 beats per minute to 118. That was all it needed -- quite subtle, very powerful. Three days = 0.67 beat per DAY. Why? Timing and algorhythm issues constantly warring, even when carefully aligned. Ugh -- next time I'm going for the couple o' keystrokes.

Now the good stuff: the singers. Was fortunate to snag two terrific voices, Amber Sawyer and Mayia Sykes, both artists in their own right, for the live session. Both helped to lay down a rich tapestry of harmony, then at the end of the session let loose with a tremendous set of high-energy step-out gospel stylings that infused the Reach for the Stars chant into an emotionally winning frenzy. Truly, were they great. Just finished sorting through and stacking those tracks and can't wait to share and perform the tune live. At the right damn tempo. Here's a photo...

Left: Mayia Sykes, Right: Amber Sawyer