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Suspend Me

Remember the movie “Passengers” from a year or two back? It’s a couple hundred years in the future and big space-liners are ferrying hundreds of humans to a new Eden-like planet that takes, I dunno, a hundred years in Earth time to get to, so everyone mounts their hibernation pods for a big sleep, so they can wake up relaxed and refreshed when they arrive.

Nice concept.

Meanwhile, back here in Earth-bound labs, there’s serious science at a furious pace getting done on this persuasion, simply in preparation for our coming shuttles to Mars, a mere 34 million miles out. Both scientists and shrinks are concerned about how we’ll deal with 7 months of pitch-black window views in a tin can livingroom, twiddling collective thumbs whilst we hurdle towards the red orb at a mere 18K mph.

And rightly so. Look no farther than the panic in people’s eyes when they wander into an earth-bound space with no cell reception: Wait: whaaaaat? Now multiply that by seven months and throw in doses of exponentially rising anxiety, depression and, gulp, animosity. It’s a recipe for disaster, no matter how chill you start out, and one we’ve seen dramatized in a dozen other on-screen space operas.

So what’s a body to do? Sleep! They zip you up in one o’ them pod thingies, turn a valve and a switch and you’re cool (like, REALLY cool) for the duration. We’ve seen how this goes: A trusted crew member wakes you up prior to landing and all’s well.  Easy, right?

Sure it is. Easy as sprouting wings-easy. More next time…

Star Trek, the Last Voyage

In 1976, just at the end of their first season, the cast did an extended Star Trek skit which few people will remember. It’s remarkable in multiple ways. First, of course, it features John Belushi as Captain Kirk, with Chevy Chase as Spock and Dan Aykroyd playing McCoy. Given that, we know we’ve got great talent on the stage.
 
The first thing that’s so striking is the combination of their age and weight. Both Aykroyd and Belushi were relatively svelte in contrast to the way they both overindulged over the ensuing seasons. And the audience is appreciative but hardly wild about their entrances on set. It’s just the first season, after all.

Then comes the skit itself, clocking in at 12 minutes in length – wonderfully over-written! And evocative of a different era when long dialog and single camera shots were the norm. This whole thing would’ve been a tight 5:30 had it run even ten years ago.

What we get, though, is a very apparent set of building blocks that become the bones of those SNL years. Belushi has somehow rallied himself into clear enough consciousness to do a bang-up job impersonating William Shatner, complete with the intensity, over-enunciation and attitude, blowing through a hugely wordy script in a single, fluid take with nary a flub.

Chevy is truly funny as Spock and Aykroyd struts his deadpan attitude with doctoral style. And it’s wonderful watching them work together, with our advance knowledge of their future careers arcs. Chase will leave for big screen shenanigans. Akyroyd will partner with Belushi for the Blues Brothers and the HOUSE of Blues and Belushi will, sadly and shockingly, go out in a drug overdose his cohorts must have feared, at the peak of his short career.

As to the skit, no story spoilers here. Just an appreciation of some of the earliest iterations of the extraordinary SNL juggernaut. Enjoy!